The Surfer's Journal is the preeminent publication in surfing; a bi-monthly magazine that chronicles surfing and surf culture in a considered and timeless fashion. The Journal is a reader supported publication that is printed on fsc certified paper and is a member of 1% For The Planet. Imported directly from the publishers in California, Otter Surfboards are one of the few outlets in the UK where you can pick up a copy. If you would like any specific back orders, please contact us and we'll order them in for you.
Issue 28.5 On the cover: What happens along a patch of reef when you mix decades-spanning family ties and countless hours in the water? Effortless positioning on any wave you want. Mason Ho, Rocky Point. The interior of 28.5 explores the North Shore’s culture of youthful goading in heavy surf, dodges gun-toting property owners in search for slabs in New England, and relays the foreign scams and scandals of Nat Young and Miki Dora. Profiles of twin-fin artist Torren Martyn, tattooer Ben Grillo, and cross-stepper Josie Prendergast add personal touches.
Issue 28.4 On the cover: Counterbalance—not posing—is the taproot of surf style. You sure as hell feel it here, all subtly elemental, as Levi Prairie coaxes a higher line from a tracking rail. The inner workings of TSJ 28.4 stretch from Hank Warner’s lifelong ride with surfing’s most revered icons to a local-level look inside the DIY Cuban surf-skate community. Modern interpretations of George Greenough’s edge board designs, the 1970s photography of Dan Merkel, and Jack Coleman’s lo-fi cinematic creations round the issue into shape.
Issue 28.3 On the cover: The Antarctic Ocean heaves against a glacial structure. Features inside anatomize Matt Wessen’s underground eyeball of Los Angeles, Waimea and Pipeline icon James Jones’ style mechanics, and the viscera of a road journey through West Africa. Artists Thomas Campbell and Alex Israel, water photographer Zak Noyle, and the homespun architecture of Lloyd Kahn add connective tissue.
Issue 28.2 SOLD OUT
Issue 28.1 On the cover: Multi-disciplined surfboard artisan Joe Roper. Features inside the book include a Mexican wave zone lost to time and interest, a glacial-fed A-frame, and a surf playground amid an atomic testing range. The animation and comic paneling of cartoonists Stephen Hillenburg and Roy Gonzalez, plus the creative outputs of Josh Martin, Denis Stock, and Nate Lawrence add additional facets and textures.
Issue 27.6 On the cover: Human corona—Mikey Wright at Off The Wall. Features inside the book shed light on a rivermouth sandbank in equatorial Africa, the swamps and inlets of Florida, and a foundational headland on the East Coast of Australia. The pitfalls of modern surf forecasting, the mind-space of a slab-hunting fireman, and the irreverent outputs of artist Paul McNeil mark other points of conference.
Issue 27.3 On the cover: Matahi Drollet navigates the hydro prism at Teahupoo. Pinpoints inside the mag drift from the frozen river mouths of Iceland (with our friend Elli Thor Magnusson) to a sultry pier in India. White sharks in Gansbaai, the oldest continuously inhabited structure in California, and the lifecycle of surfing as a competitive endeavor are each held to the light for further revelations.
Issue 27.1 Features inside the flap rove from an urban surf-scape in the Middle East to an examination of artificial waves—and their existential impacts. A Hawaiian bodysurf Mecca, an archipelago in the South Pacific, two visual/spatial artists, and a horde of full-bleed surf imagery offer waypoints of interest.
Issue 26.6 Inside the book, further odysseys follow a team of daredevils to the glacial outfalls of Alaska, a crew of Indonesian boat-in pioneers through the revelation of Desert Point, and director Bruce Brown’s still-camera inside the most impactful surf movie ever assembled. Technical analysis of the asymmetrical surfboard, and a deep batch of imagery from the front-lines of the professional surf arena, add motion and ballast.
Issue 25.3 Inside pages range from the diamond- and surf-rich coastlines of Africa to an atoll in the Indian Ocean. Tintypes from photographer Bernard Testemale, time-bending imagery from Jay Mark Johnson, and the back-alley noir and shorefront vibrancy of Town lend lights and darks.
Issue 24.3 Includes an article with us as the subject, penned by Daniel Crockett. SOLD OUT - contact us to get back orders.
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